Nagoya
Jabba Da Hutt
Jabba Da Hutt (Select One / ABSOLUTE RECORDINGS)
Rooted in reggae, his unique and ever-shifting selections have kept listeners intrigued for over 30 years, all while returning to the basics when needed.
Committed to a VINYL-ONLY approach, his dedication remains unwavering.
His favorite flavors include 70s & 80s Reggae, JA & UK Roots, Dub, Lovers Rock, and Funky Reggae, blending richness, acidity, and just the right touch of sweetness.
Not limited to Original Jamaican records, he also incorporates recent releases inspired by these classics into his sets.
As part of the unit “Select One,” alongside Operator Toiken, DeeJay Ackee and Saltfish, he delivers strictly Rub-A-Dub Stylee from the 70s to early 80s.
Under “ABSOLUTE RECORDINGS,” he produced the 7-inch single “NEW VIBRATIONS” by machaco.
By navigating between different units and projects, he continues to expand his artistic reach.
At the heart of his work lies a passion to share and connect people with truly good “music,” transcending the fragmentation of the reggae scene by era, region, and style, which often fosters unwarranted bias.
Rooted in reggae, his unique and ever-shifting selections have kept listeners intrigued for over 30 years, all while returning to the basics when needed.
Committed to a VINYL-ONLY approach, his dedication remains unwavering.
His favorite flavors include 70s & 80s Reggae, JA & UK Roots, Dub, Lovers Rock, and Funky Reggae, blending richness, acidity, and just the right touch of sweetness.
Not limited to Original Jamaican records, he also incorporates recent releases inspired by these classics into his sets.
As part of the unit “Select One,” alongside Operator Toiken, DeeJay Ackee and Saltfish, he delivers strictly Rub-A-Dub Stylee from the 70s to early 80s.
Under “ABSOLUTE RECORDINGS,” he produced the 7-inch single “NEW VIBRATIONS” by machaco.
By navigating between different units and projects, he continues to expand his artistic reach.
At the heart of his work lies a passion to share and connect people with truly good “music,” transcending the fragmentation of the reggae scene by era, region, and style, which often fosters unwarranted bias.
